Alex Keller
I've started listening to this album again and it's just as brilliant as I remember.
Favorite track: Sigma Octantis (feat. Julianna Barwick).
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$7USD or more
Suffuse CD
Compact Disc (CD) + Digital Album
Includes unlimited streaming of Suffuse
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Suffuse Special Edition LP (includes Bonus LP "Refuse")
Record/Vinyl + Digital Album
Refuse is a limited LP edition of tracks that didn't make Suffuse. They were made for specific vocalists, like the songs on Suffuse, but things didn't work out for some reason or another. This LP is strictly limited to 70 copies.
Includes unlimited streaming of Suffuse
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Roy Montgomery - Suffuse LP
Record/Vinyl + Digital Album
Includes unlimited streaming of Suffuse
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Released by Grapefruit Records
Despite praise and acclaim throughout his career, Roy Montgomery
hates his singing. From his point of view, it’s done out of necessity,
when he doesn’t have anyone else around to substitute. Roughly one
quarter of Montgomery’s epic multi-album 2016 release R M H Q had
his singing, and those are his least favorite tracks.
Grapefruit has done the best they can to argue that his basso
undertones are the center of his appeal throughout his entire body of
work, from the first The Pin Group single on Flying Nun in 1981,
through his work in Dadamah, Dissolve and on to his legendary
’90s solo releases. However, is it a surprise he jumped at the idea
of composing an album for other vocalists? This began as a series
of alternate takes of the material on Tropic Of Anodyne, the tracks
with vocals off his last release. That concept morphed into assembling
vocalists to sing on new songs, and he conceived instrumental material
that would fit each singer. Half of the songs came together, resulting
in Suffuse.
The album charts a slow progression from those who share
similarities with Montgomery’s rumbling vocal technique to those
who come at singing differently, with minute contrasts throughout.
Haley Fohr (Circuit des Yeux) and Jessica Larrabee (She Keeps
Bees) bring the first two tracks, with Katie Von Schleicher following
with a raw expression of emotional loss, and the sisters Clementine
and Valentine Nixon (Purple Pilgrims) expressing emptiness
by stripping away words, weaving their voices together through
Montgomery’s elastic webbing. Julianna Barwick adds drive and
nuance to the foamy sonic waves of “Sigma Octantis,” as “Landfall”
crashes in slow motion chaos over Liz Harris’s (Grouper) multitracked
layers. These compositions generously embrace their guest
leaders, and for the first time in his career, Roy Montgomery has made
a cogent artistic argument as to why he shouldn’t be singing these
songs himself.
credits
released August 17, 2018
All Words and Music by Roy Montgomery
Vocals by: Haley Fohr, She Keeps Bees, Katie Von Schleicher, Purple Pilgrims, Julianna Barwick, and Liz Harris
Additional Vocals by Emma Johnston & Arnie Van Bussel
Engineered by Arnie van Bussel at Nightshift Studios, Christchurch
Mastered by Paul Gold
Cover artwork - Trudi Cameron
Front cover lettering - Liz Harris
Layout - Katie Von Schleicher
Deep, interesting, strong and emotional. Just a great work. Liz Harris will always have something strong, special and surprising in the best artistic way. risovic
At first glance, the landscape on the cover of Martin John Henry’s The Other Half of Everything is a scene of complete isolation. This is Scotland. An archetypal rugged landscape of hills and lochs, as far as the eye can see. On closer inspection, there are some signs of habitation: buildings, roads, farms… but they … Continue reading Album of the Week: The Other Half of Everything → Bandcamp Album of the Day Nov 21, 2011
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Grid of Points is more brighter compared to its previous sister album Ruins, yet the album still feels very dark, possibly caused by Liz’s inhuman ability to make the calming sound disturbingly beautiful. Every moment on here, yes that’s including that ending to Breathing, makes me feel so emotional in different ways, but Driving specifically has such a punch to it like no other. alicedreadfuls